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I am perpetually fascinated with ideas that come from the Unconscious.
They seem to bubble up and become visible in the form of color,
line, and shape interrelationship. It is part of the journey of
understanding the Self and this amazing LIFE we are living.
The
most current abstractions on paper are compositions that reflect
this ethereal meaning. As in poetry, interpretation may be very
personal. The titles I give the works generally relate to my immediate
quirky understanding of the pieces when they are completed, however,
there is no reason why the paintings should carry conscious meaning
to everyone. Most important is that each piece has visual integrity.
These
small paintings from 2002 into the present are partly informed
by three decades of disciplined brushwork using traditional Asian
calligraphy brushes and ink to express emotional and physical
response to nature in it's various forms. Also, figure drawing
has been very helpful. I think the effort it takes to draw the
figure "correctly" gives strength to the hand and eye
when painting non-objective works.
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